Developed by Sir John Whitmore in the 1980s, the GROW model has been essential to countless business coaches around the world, and today we’re going to use it as a framework for blogging success.
How much are you willing to pay?
Okay, all jokes aside, “how much” depends on a lot of factors such as:
- Your particular set of skills (can you design your own cover/interior formatting?)
- The quality you’re aiming for.
- Whether or not you’re planning on having both an e-book version and a print version of your book.
- The emphasis you want to place on marketing and advertising your book.
All in all, there are two main considerations: how much you’re willing to pay in terms of money or effort in order to produce quality.
As the cliché goes, if you want better answers, you should ask better questions.
The right questions at the right time can help you become aware of your mistakes, adjust your strategy, and begin your journey towards the blogging stratosphere.
No, seriously. The right questions at the right time…
Okay, let’s stop fooling around.
Here’s me asking you 7 questions that just might point you in the right direction.
And you know that the right question at the right time…
Writing is a simple process. It’s writers who make it seem so terrifying.
After all, we stare at a blank page long enough that we feel this inexplicable urge to transform it, and we do so through sheer power of will.
But what if the will isn’t strong enough? What if we get lost along the way? What if we somehow succumb to the critic within, or worse, to friendly advice, and we’re tempted to give it all up?
The following frameworks will be more than enough to help you punch those damn keys and never worry about going creatively bankrupt.
If there’s one thing I’m quite the expert on, that’s alienating a large, engaged audience.
I started my first blog back in April 2012. By November the same year, I had over twenty thousand readers. I was earning about $100 every single day, and my articles were read by close to a thousand people within the first 3–4 hours of an article being published.
Somehow, in my quest to increase my numbers, both in terms of readers and income, I lost friends and alienated a lot of people.
Just take a look at this statistic:
Here’s how you can do it as well in a couple easy to follow steps.
So, you have a finished manuscript, and now you’re ready to share it with as many readers as possible.
In order to do that, you must choose one of two paths: either self-publish your book yourself, or go the traditional route and try to find a publisher.
Deciding on which route to take means that you’ve got to figure out a couple of things about yourself first, about your book, and about your ability to effectively market (and enjoy the process) both yourself as an author and your book.
Now, let’s discuss the essential questions to ask yourself if you’re trying to decide if self-publishing your book is the best available option for you.
The most dreaded words in all existence by creatives.
Also known as creative bankruptcy, writer’s block is all about a single four-letter word. One that we rarely even want to mention.
It’s an “F word” that is frowned upon by people from all areas of life. And this word is keeping you from writing, editing, formatting, and publishing your next blog post.
“Solitude or working alone can help a creative person develop and refine their work, but it is certainly not the only way to nourish creative projects,” so states Douglas Eby in his new book. Well, to each his own. Some creatives prefer isolation while others seem to strive amidst a collective. Both environs serve a purpose. It depends, I think, on how you’re wired.
Many artists acknowledge the value of academies such as Juilliard, and less formal artist retreats and workshops, like Idyllwild. Others give credit to formal education at a university’s marketing and communications school or a structured curriculum at, say, the International Center for Studies in Creativity.
Eby points out that much of the writing and advice on creative expression and enhancing creativity focuses on the inner journey of the individual. Furthermore, creating happens in a social context, and often depends on inspiration and support from others, on finding an audience, and getting financing from publishers and producers.
Perhaps, I say, but not always…
Kurt Vonnegut would wake up at 5:30 a.m. work until 8 a.m., eat breakfast, and then work a couple more hours.
J.M. Coetzee, the 2003 Nobel Prize Laureate, supposedly spends at least one hour at his desk, every morning, without fail.
Haruki Murakami wakes up at 4 a.m. and writes for 5 or so hours. Every single day.
Franz Kafka, one of the most influential writers of the past century, would work each night from 11 p.m. until early in the morning.
Maya Angelou used to write every morning from 6 a.m. to 2 p.m.
One of the most prevalent myths is that to do creative work, one must feel inspired. It’s not true.
We can always work, whether we feel inspired or not.
It’s all about developing a routine.
My environment as a child never lacked any of the basic needs. We had lean times, but I slept in a bed at night. I was sheltered from weather. At 14, I ran away and learned a little about what it means to be homeless — but only a little. I was more uncomfortable than I had ever been in my life, but help was everywhere. After a week, I returned home.
Twenty or so years later, I learned about homelessness again…