“Solitude or working alone can help a creative person develop and refine their work, but it is certainly not the only way to nourish creative projects,” so states Douglas Eby in his new book. Well, to each his own. Some creatives prefer isolation while others seem to strive amidst a collective. Both environs serve a purpose. It depends, I think, on how you’re wired.
Many artists acknowledge the value of academies such as Juilliard, and less formal artist retreats and workshops, like Idyllwild. Others give credit to formal education at a university’s marketing and communications school or a structured curriculum at, say, the International Center for Studies in Creativity.
Eby points out that much of the writing and advice on creative expression and enhancing creativity focuses on the inner journey of the individual. Furthermore, creating happens in a social context, and often depends on inspiration and support from others, on finding an audience, and getting financing from publishers and producers.
Perhaps, I say, but not always…